Bryan Batt made his debut on Broadway in 1992 as Munkustrap—the storyteller/guardian of the Jellicle cat tribe in Cats—and, after a dizzying yr of that, he thought he’d strive his hand at an Off-Broadway non-musical. He picked Jeffrey, Paul Rudnick’s urbane rom-com about discovering love within the age of AIDS, and auditioned for the position of Darius, a dancer in Grand Lodge.
“Are you actually in Cats?” Rudnick requested. “Yep, now and ceaselessly,” Batt shot again. (Again then, Cats was generally known as “The Now and Endlessly Musical.”) That line acquired amusing from Rudnick, made it into the play, turned Darius right into a dancing cat and gained Batt the position within the play and the movie model.
Batt has spent most of his profession cracking-wise—most memorably as Salvatore “Sal” Romano, a closeted artwork director on the Sterling Cooper company till he was unfairly axed in Season Three of Mad Males for declining a shopper’s sexual proposition. The present’s writers promised him a vengeful return as a hot-shot film director, however the sequence ended earlier than that storyline ever materialized.
Films, tv and varied writing tasks have stored Batt lacking in motion on the New York theater scene for many years. However now he’s baaack—and now not sure to the Now and Endlessly—in To My Women, JC Lee’s tres homosexual comedy which opens April twelfth at Second Stage’s Tony Kiser Theater. It’s his first Off-Broadway effort since Ascendancy on the Rattlestick Theater in 1998.
Counting the understudies and together with Second Stage’s Broadway opus Take Me Out, the theater firm is using 26 actors—and never an actress amongst them. To My Women has assembled the primary all-gay solid because the Tony-winning 50th anniversary revival of Mart Crowley’s The Boys within the Band in 2018. Right here, along with Batt, the lineup consists of Jay Armstrong Johnson, Carman Lacivita, Maulik Pancholy, Noah J. Ricketts and Britton Smith.
“It’s a beautiful, stunning group of individuals,” declares Batt. “Proper from the beginning, we’ve got had a lot enjoyable. I knew Noah earlier than, however the different solid members I didn’t know, and I am keen on them. We really have a blast collectively. I’ve been desirous to work at Second Stage for a very long time. Plus, this can be a new play in New York, and I’ve not performed a kind of shortly. All the celebs aligned.
“I’m an enormous fan of JC’s and an enormous fan of the director, Stephen Brackett. Collectively, they’ve created an ideal atmosphere for actors. It’s heaven for us simply to go to work daily.”
Batt performs the proprietor of an Airbnb in Palm Springs the place a once-tight group of homosexual associates converge to reconnect or—when the turbulence will get too intense—disconnect. They arrive with wigs, gossamer frocks, and freshly honed zingers (“On my drive I noticed an armadillo that appeared like Kellyanne Conway—I virtually ran over it out of spite”). That is The Boys within the Band with pool toys, essentially the most imposing being a huge rubber swan named Rebecca after the Hitchcock flick.
Though he’s not above becoming a member of the boys often of their little enjoyable and video games, the 59-year-old actor positively looms over the proceedings like a senior solid member. “That I’m, throughout the board,” Batt freely confesses. “It’s bizarre as a result of I bear in mind being the youngest, and it wasn’t that way back. However with that comes accountability. Typically, they give the impression of being to you for some knowledge as a result of we’ve been round some time. I lived by means of the AIDS epidemic, 9/11, Hurricane Katrina and now this. That brings some perception. They’re very variety, these younger males—and really loving.”
Batt is even allowed a powerful scene the place he can do some senior-assessing of the unhealthy habits he’s observing. It’s not about them throwing pillows round or placing their toes on the glass-topped desk. What galls him is their interaction. “They’re bitching and tearing one another aside and tossing round these millennial phrases he doesn’t actually perceive. He’s seen the world change so quickly. He has misplaced lovers to AIDS and a number of associates, and it disturbs him to see the subsequent era doesn’t recognize or care for one another. They combat and intellectualize issues that don’t matter as a result of they’re afraid, beneath all of it, they don’t have anything to say.”
That is very a lot a senior speaking. “That’s what’s so sensible about JC,” insists Batt. “JC just isn’t an previous crank.” (The playwright is 39.) “I first learn the play on the Zoom studying in March of 2021, after which we did a stay studying up right here in the summertime of ’21. I used to be kinda greatly surprised by the character I used to be taking part in. He’s very totally different from me in some ways. In some methods, he’s comparable.
“I completely loved it, however, with the rewrites and the edits, it’s modified an ideal deal from that first studying, which is par for the course and what ought to occur. Loads of instances, a play takes on a unique lifetime of its personal. JC’s been round making adjustments. He’ll make an enormous lower, then we’ll rehearse it, and he’ll say, ‘Provided that you’re feeling comfy doing it tonight.’ Which takes off the stress, nevertheless it additionally makes you need to do it. It’s created this atmosphere the place all we need to do is to serve the piece—make the play as finest as we presumably can and have the viewers prefer it.”
Playwright Lee doesn’t use the phrase Covid. He says “plague,” leaving the door open for an AIDS studying, however he wrote the play throughout the pandemic and set it within the post-pandemic, maybe a tad prematurely given the reveals which have been briefly shuttered due to the illness.
Actually, Batt got here down with Covid the second day of rehearsal. “I’d been vaccinated—two pictures and a booster—so, for me, it was very delicate,” he studies. “I’d say it was like having a minor, minor chilly—and, after 5 days, I examined adverse and was again in rehearsals. Then, the signs began. I had aches and reminiscence fog and misplaced my sense of scent and style, however I feel that now I’m fairly okay. It impacts everybody in a different way, so it’s nothing to mess around with.”
Getting again into New York theater scene has been thrilling for Batt. “The opposite night time we had been on the opening of Take Me Out. What was nice about it was that there was a number of Broadway folks and a number of trade folks, nevertheless it wasn’t a kind of oh-look-at-me occasions. Actually, everybody was simply thrilled to be at a Broadway opening and see one another. It was simply incredible!”
It’s onerous today for Batt to say the place he calls dwelling. “That’s complicated,” he admits. “New Orleans will at all times be dwelling as a result of that’s my hometown and we stay there now, however proper now I’m in New York, and I’m feeling like I’m again dwelling once more. A buddy of mine lives between New York and New Orleans, and he or she calls herself a New-New. I suppose that might be what I’m, too.”
An actor’s life was virtually inevitable for Batt. His household based the Pontchartrain Seashore Amusement Park, and his mother was a dance/voice main he coaxed into doing neighborhood theater. “They wanted an older girl who might tap-dance for 70, Women, 70, and I stated, ‘My mother can faucet.’ They stated, “Oh no, your mother is a social matron. She does events and advantages.’ I stated, ‘No, belief me. My mother can actually faucet.’ And she or he got here in and knocked their socks off.”
Batt discovered his husband, Tom Cianfichi, on tour in Akron with Evita. He performed Che, and Cianfichi understudied Magaldi. Collectively since 1989, they personal and function a house furnishing store-gift store, Hazelnut, on Journal Road in New Orleans “It’s been thriving and doing splendidly.”
Of late, Batt has gone literary and authored three books, beginning together with his 2010 memoir, She Ain’t Heavy, She’s My Mom. His newest calling is playwriting. “I’ve written a one-man present referred to as Expensive. Mr. Williams. It’s my story rising up in New Orleans, however instructed by means of Tennessee Williams’ phrases. He needed to depart St. Louis and are available to New Orleans to seek out out who he was. I needed to depart New Orleans to return to New York to seek out out who I used to be. His phrases information me alongside.
“I’ve carried out it in New Orleans at La Petit Theater within the [Latin] Quarter. Some New York producers occurred to be down there, and now there’s curiosity in bringing it to New York, so, fingers crossed, that every one can work out and I’ll be again on the boards up right here once more quickly.”
A story of two cities continues.